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Kiss, another big breasted blonde, is a former page three girl from England. She featured topless in The Sun and other British publications. Splendor in the Ass 2 and Rebel With A Cause are among her best movies.

Born 6/20/70, Kiss was one of porn's nastiest newcomers in 1994 and she's a deepthroat specialist and top lesbogrinder.

"Kiss is a blowsy Englishwoman with a pussy so big you could land a plane inside it. With her blond hair, short stature and huge, natural tits, she's everything Tami Monroe failed to be, taking dicks in her ass and loads on her face with a playful sluttiness. She even digs chicks, evidenced by her limo licking of Rebecca Bardoux, a bullet-titted trollop with thick, chewable nips." (AFW)

After taking a couple of years off, Kiss returned to porn in the summer of 1996.

Roger P. Tipe of www.rogreviews.com writes 2/4/99:

Porn fans from the early to mid 90's will undoubtedly remember Kiss, a short, curvaceous blonde with an unmistakable British accent and an unforgettable backside. After some time away, Kiss is back, now making her own films, and she was kind enough to take some time to do an interview for all the internet fans.

Thanks so much Kiss for taking the time out to talk to your fans and get us all caught up with what you've been up to.

Sure, glad to do it.

I hear you're working on some new film projects?

Yes. I guess I should first tell you about the company. The name is
VidKisCo, sounds like Nabisco. It is a combination of our names. My
partner, David, Vid and myself, Kiss, Kis and Co, is our company,
VidKisCo. We formed that about a year and a half ago and started
making movies. We've done three, but the first one has come out.

And what's it called?

Boomerang, What Goes Around, Comes around. It's a new couple's feature
starring Cassandra Knight, Herschel Savage, James Bonn, Johnni Black
and Tina Tyler. It's a story line feature. Kind of the way adult films
used to be made.

Is that something you were looking to make when you formed the
company?

Oh yeah, my inspiration was Ciccolinai. An Italian politician and film
star. I just loved her stuff, it was the best stuff I had ever seen.
Then I came over here and I was an actress for seven years, but I was
going back and forth. Oh God, I have so much to tell you, this could
end up just being more of a conversation than an interview.

That's fine, nobody cares what I say anyway.

All right. Basically I started in movies when I was young. I was 21 in
England. I decided to come over. It took about three weeks to get all
my stuff together. I sold everything I had and I started as an
actress. My name was Kiss. I got recognized quite quickly. About seven
months into my first year I got nominated for Best Supporting Actress
in a film called Face Dance for 1992. Also that year I got nominated
for Best New Starlet. I didn't win, but my friend Alex Jordan, God
rest her soul, did win, so that was OK. I got asked to host the AVN
awards that year, but I turned it down because I didn't really know
what it was. I was just in shock to be nominated. I had no idea that
there was even an awards show. So I decided not to do it because I
thought it would spoil my evening. Ever since, I have been trying to
get them to let me host. I always arrive too late though. That was
really great, but I was kind of scared. I didn't want to get too big,
too fast. I had a strategy so I decided to back out of doing so many
movies. I had done about eighty in my first year. They kept coming out
for a couple of years, so even though I wasn't making movies, I kept
getting little nominations here and there. I didn't win, but I kept
going to the show even though I wasn't that involved with the business
any more. Then I decided to get into productions. A lot of times when
I was on the set, it was a lot of hurry up and wait sort of thing. So
I would be on set, hanging around with the producers and directors. I
kind of got inspired and that stayed with me during the years I wasn't
involved. So, I decided to try my hand at production. I also got
married to a guy who wanted to get into the industry. He kind of
convinced me to go back. I worked with him on several things. I was
faithful to my marriage and did scenes with just him alone and a few
girl/girl scenes. Funny, how guys always like that sort of thing. We
did that for about a year and I was doing some producing and working
on projects that were failing miserably. But I was learning a lot. My
marriage didn't work out. I think he has a new girlfriend and they are
working quite happily from what I understand. I met a new man, and
this is where David comes in, David's my partner, David Brett. He's an
executive producer with me on all of the movies that we've done. He
lets me direct and I write them. We both do camera, we cast people
together. We do it all, design the boxes, right from the creation of
it, to the distribution of product. We started our own distribution
company called Passion Pictures about two months ago. The reason that
we did this was because our distributor ended up selling their
catalog. So we decided that we had a list and we have fifteen hundred
tapes in our garage because they sent us back all of them that they
hadn't sold. Those were "Kiss' Kitten Klub 1" and 2 which we had. I
picked up the list one day and started calling all the west coast and
sold like twenty five tapes my first call. It was incredible, it was
such a rush. I said to David, "This is really' brilliant. I am getting
to talk to all these people I don't know", and I'm a chatterbox anyway
so it was really fun. I did it for about a week and I was learning a
lot about how the business works. I was speaking to people who knew
who I was and it was great because they were all so happy for me.
Everybody has been very supportive. You hear the rumors that this is
such a closed industry, but I was accepted very easily and I worked
hard and it has paid off. People keep patting me on the back saying
how it's good to have a woman doing this, a woman who has been an
actress. That's something I really want to say is that people have
been very supportive of me as a woman and as a businesswoman. So we
decided that we would do it all. We went to certain distributors and
they had looked at our stuff and liked it, but they wanted to buy all
rights to it. That's the status quo I suppose, how things are done.
David and I happen to think that things need to change. Things are
changing, there are a lot of people out there who are revolutionizing
the industry. So we decided against going with the way things had been
and do it on our own. It seemed pretty easy, so we took on a sales
manager, Joe about two weeks later. He started selling and we did
really well. We're doing good, we're small and we are starting to find
out how the business really works and that is really interesting.

Sounds like you're off to a good start. What about Boomerang, tell me
about this project.

Boomerang is a movie about a chiropractor and a gym owner, Herschel
Savage and James Bonn. They are swapping clients to each other,
especially women. Herschel is married and James, the gym owner is kind
of seeing someone special, Johnni Black. They decide to take the women
away for a weekend on a yacht. So they go away for the weekend. I'm
the boat owner and they are all having a great time in the sun and
we're having a party one night. One of the guests who arrives happens
to be one of the girls they have been swapping to each other. They
didn't know she was a friend of mine. The wife finds out and ends up
going on rampage at the party. It was really beautiful, we shot some
scenes in the moonlight and we have really hot passionate scenes. All
the girls are absolute tens. We have a great cast, I was so pleased
with the performances. I was trying to do something like Melrose
Place, but in porno. Not just two or three parts, but actually develop
characters. There is this new girl in the movie, Cassandra Knight.
Have you seen her yet?

I don't believe so.

Oh my God, she is just incredible. She plays the lead role, Amy,
Herschel's wife. She is just such a great actress. When she sees him,
when she discovers him making love with this other woman, we really
pulled the emotion out of her and she, well, I don't want to give the
plot away. You can see how passionate I am about my movies. I really
love this business and it's great to be able to give something back.
It's really neat because when I cast, I would tell people what their
character is and how I am going to direct them.
I think it is really important for the women to feel beautiful,
because when I was on set, actually acting, I would walk on certain
sets and ask what I was supposed to wear and they would say "It
doesn't matter." As soon as they say that, then it doesn't matter to
the performer either. To me, I always felt like I should give 160%
when I was working. These movies take a lot out of you. Have you seen
the movie?

Not yet..

Wow. So, I've talked enough, do you want to ask me some questions.

Sure, you've covered most of them. Let's see, in your new movies, are
you performing as well as directing?

Yeah, I've done girl/girl, but it's kind of hard for me because I want
to do the scenes. I love being in front of the camera, but it's hard
to switch back and forth to being director and then performer all
within the same couple of hours. In Boomerang, I do a scene with
Cassandra. I play Sadie, the boat owner and when she catches her
husband, I have to comfort her. It's a very sensual scene.

Sounds like you guys are really working for some original stuff.

I was just so sick of all the stuff out there. I got a call from
someone in Canada the other day. He was saying I had to change the box
cover. My box cover is very soft and it's really beautiful and classy.
It stands out, because there is so much smut out there that people
become desensitized to it. It doesn't effect people in an erotic way
any more. I'm trying to bring that back.

Were there any directors you really enjoyed working for?

I loved working for Patrick. In fact, I was in the very first
Sodomania, doing the little masturbation in between. I just always
loved him and his outlook on things. He looks forward and I like that.
 

What about couples working together?

Cassandra and her husband do a beautiful scene, the last one in the
movie. I kind of wrote the script around them because they only work
together and I like to applaud that. When I asked them why they got
into the business, they said they did it to enhance their
relationship. To keep them sexually excited and that's the most
wonderful thing I've ever heard. A lot of people get into this
business and work with other people and they are married and it's a
hard thing to understand how people can do it. I've never been able to
do it. I've been with two guys in this business and we worked with out
people and it always ruined my relationships because maybe my
relationships weren't strong enough or I was trying to cultivate the
relationship within the industry which is very hard to do. If you have
a strong relationship and then you want to do something like that
experiment, that's cool, but they haven't even gone that step yet.
They are just working with each other which I think is lovely. So I
wanted to incorporate that into my movie, but I didn't want them to be
married in the movie. I wanted the excitement that I felt from them
both to show. The ironic thing is that the lust that seems to be there
because they are having extramarital sex is actually there because
they have such a love for each other. Married couples can use these
movies to bring them together and bring them closer. It's a movie that
can stimulate mentally the women, so they can watch it and sit through
it and not just think it's silly. It has a story line, they get to
know the characters and women really need that to get turned on.
Initially they need to speak to somebody, hear the voice, feel that
intimacy. So, I try and do that because when I was on set where that
kind of heat was going on it was great. John Stagliano's Face Dance
was a wonderful set to be on because he really knows how to make
people feel horny on set as well as in his movies. Patrick knows how
to do that as well, which is why I loved working with those guys. I
try to do that and it seems to be working well. I've had a hundred
percent hard ons on my set.

Well, the actors are checking out the director.

I've been very lucky. I haven't had anybody flake on my, nobody show
up late, no limp dicks. I'm the kind of director, if there is a limp
dick on my set, I'll be the fluffer.

Saves you money and relieves stress at the same time.

When I was doing "the Making of a Hollywood Porn Star" with Allysin
Chaynes, there was a scene in a car. The guy wasn't really having a
hard time getting it up, but she was winking at me, teasing me, so I
got on top of the engine and she licked my pussy. The guy was just all
of a sudden ready to go. We always put out takes on the end of the
movies, I suppose I should have put that on there. I plan to put out
some hour long tapes of just out takes, because I think that is so
important. When people meet you, they find out that you're an adult
actress, some people's opinions of you change. I want that to change.
I know that once people get to know me, they don't think that way.
Most of the time, I'm just me.