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Delilah Strong Interview

She says she was badly bruised on a Mason set (on July 24 for Mason's first movie for Anabolic), broke a toe, and dropped on her head. She says not only was she not compensated for her injuries, but that Mason didn't pay her agent (Redd Rose) her agency fee.

Delilah says Mason made many calls around the industry to try to prevent her being hired.

Here is a link to the video in question. The footage showing what she looked like at the end of the scene is at the end of the clip.

December 2nd was the first time I talked to Delilah. Prior to that, we'd played phone tag for 10-weeks.

I ask Delilah: "When you were a kid, what did you want to be when you grew up?"

Delilah: "From the age of 12 on, I wanted to be a stripper and a Playboy model. My mother was an adult actress. In 1980-81, she made about twelve movies under the name Deborah Coxxx. My parents just wanted me to graduate highschool. That was their goal for me."

Luke: "What kind of crowd did you hang out with in highschool?"

Delilah: "I wasn't popular. Everybody hated me because I f----- everybody's boyfriends. I was the outcast. I was popular with the guys but I didn't have many girlfriends. I definitely hung out with the bad crowd.

"I was 19 when I started dancing. I was 20 when I started doing Internet. I was 21 when I came out to LA to make DVDs [January 2004]. I have 120-something films out now."

Luke: "What do you love and hate about the porn industry?"

Delilah: "I hate all the politics. The Mason incident, for example. After I shot with her, she went back to everybody at Anabolic and told them not to shoot me, though it didn't prevent me from working for Anabolic/Diabolic."

Mason says she didn't tell people not to shoot Delilah. She only explained what her experience with Delilah had been.

Delilah: "I hate the phoniness. I hate it when the producer tells me I've got the boxcover and the movie comes out and I'm not on the box. If you are not going to put me on the box, don't say anything. I'm not going to give you any different type of scene if you tell me I'm not going to get the box or not. If people were just straight-up and honest, it would be so much easier."

Luke: "What happened in that Mason incident?"

Delilah: "I was on set for 13-hours. We were in an abandoned warehouse with no electricity, no bathrooms. I had to pee in a bucket all day. It was a two-part scene. I had two guys, Chris Mountain and Joe Rock, for the blowjob portion of the scene.

"It was an aggressive rough scene. That's what I prefer. I was aware of the type of scene [it would be]. I was sucking Joe Rock's dick. He was holding me upside down and he dropped me on my head. I fell on the back of my neck and I came down and flipped over and I hit my toe. I broke my toe.

"We had to take a 20-minute break so I could put ice on it and gather myself together. Then we continued the scene.

"There was sawdust everywhere -- in my eyes, inside of me. While I was doing the scene, I started to bleed.

"Needless to say, when I got done with the scene twelve hours later, I went back to my agent (Redd Rose). I was very upset. I felt that I needed more money for what I had been through. I was bruised up. I had been hit in my face and stomach and thighs, everywhere, which I knew was going to happen and I was totally fine with. But I did not expect to be dropped on my head and getting the broken toe. My face was ridiculously swollen. I had been slapped about 30 times in the face. I had handprints on me. My eye was swollen. I looked like I had just got jumped.

"I had told Mason with my agent present to compensate me an extra $200 because I was going to have to forfeit my shoots for the next two days. Mason was not happy with that.

"A lot of people were at the hotel when we had gotten back and I was talking to my agent. Everybody had their own version of what happened. I've heard so many different stories. I've heard I was compensated thousands of dollars.

"I was getting really rude phonecalls from Mason.

"I had no problem with the shoot. I had no problem with her. I would've worked for her again. I was disappointed that they would not compensate me. I not only went above and beyond what the scene called for, but I was also bruised so badly I could not work for the next two days. They never even paid my agent her booking fee."

Luke: "Why didn't you sue them?"

Delilah: "I didn't want people to be scared to shoot me. I didn't want people to feel that I was going to come on their set and end up suing them. I want to be in the industry for as long as I can. I didn't come in to make some quick money and get out."

Luke: "How did the incident affect you?"

Delilah: "It didn't. A lot of the sets I went on, people said that Mason had called them and requested that they not use me. That really got to me. I didn't understand why she was doing that. In the long run, it didn't affect me. I missed two shoots because of it then went back to work."

Luke: "Have you ever had anything like that Mason shoot happen to you before?"

Delilah: "No. That was the first bad experience I've had in porn. I was taken aback by the whole thing. Throughout the whole day, I didn't whine. I didn't complain. I didn't bitch. I went above and beyond what I needed to. I felt like I got a slap in my face.

"She knows that I went through a lot that day. Anyone who was there... It was not a normal scene. We weren't in a house with air conditioning and water. If Mason had made any kind of gesture, I would've taken it, but she just turned her back on me."

Luke: "I heard that you and your boyfriend were trying to shake her down over this and that your boyfriend was threatening her life."

Delilah: "I don't even have a boyfriend. I know that in one instance, a performer named Tony T who was there when I got back to the hotel and saw me crying and saw that I had to go to the hospital for my foot, I know that he took it upon himself and called her. If that's who she's talking about, I'm not sure. He's not my boyfriend nor did I condone any phonecalls being made."

Luke: "How has being in the industry affected you?"

Delilah: "It's made my life better."

She giggles even though she's speaking literally. "I feel more free, more confident. I feel like I have a career, a job, great friends. I meet a lot of nice people. I get to travel. I get to have sex all day. There's nothing else I'd rather be doing.

"My ambitions are to take home as many awards as I can. I want to start my own production company. I've started working on my website which will be launched at the end of January. I've started doing anal. This is the peak of my career. I'm nominated for two awards this year. My goal is to get my name out there."

Luke: "Why don't you live in Los Angeles?"

Delilah: "Because I have a five-year-old daughter and I like to keep my work and home life as separate as possible. Otherwise it would be a lot more convenient to live in LA."

Luke: "How has being in the industry affected your love life and your relationships?"

Delilah: "Every guy I've dated since I've been a stripper... The first time I meet them, they think it is the greatest thing in the world. Two, three months into the relationship when the emotions start flowing, the l-word starts getting thrown around, they want me to quit. It's been hard for me to keep a relationship longer than two-three months."

Luke: "Would you quit the industry for the right guy?"

Delilah: "No, I would not. I don't believe I should have to stop doing what I like and my career and my goals for anybody else. Absolutely not. If you can't accept what I'm doing, then you can't be with me."

Luke: "What do you like to do in your spare time?"

Delilah: "I like to shop a lot. I like to do as many personal appearances and signings as I can. I like to travel. I have family all over the United States, so I spend as much time as I can with my family."

Mason writes me back Friday afternoon, December 2: "Well, she called me two weeks ago and said she was sorry for everything that happened. that is was completely blown out of proportion. she also said she had done an interview with you several weeks ago, trying to clear things up, but, that you never posted the interview. I honestly don't know what to believe now."

Delilah: "I did speak with her a few weeks ago. It was on-set for Chico Wang. He'd told me that Mason did not want him to shoot me. I said, 'Let me give her a call. The air needs to be cleared here. I have no problem with her. I understand that things didn't go well.'

"I called Mason. I said, 'I know a lot of different stories went around. Everybody had a different version. I just wanted to let you know that that did not come out of my mouth. Yes, things did not go the way I wanted. I was not happy. But I was not beaten unrecognizable.

"I told her that I had talked to you. That I had read what was posted on your site and I was trying to get in contact with you to do an interview."

Luke: "Mason was so emphatic that nothing happened."

Delilah: "It was a rough scene. That's what the movie is about.

"I hope the movie gets released. I want people to see it. Then they can tell what happened. It'll be edited but they'll see it was a rough scene. I was getting slapped around."

Responses To My Delilah Strong Interview

I spoke to one source in September who says he saw Delilah within a couple of days of the July 24th incident and she was severely bruised.

Saturday night, December 3, I speak to the director of the Anabolic movie, Mason, as well as Christopher Alexandre, the owner of Anabolic, and performer Joe Rock, who Delilah says dropped her on her head.

Chris: "I spoke to Mason [July 25]. She had received some threatening phone calls that night [from performer Tony T, who saw Delilah after her scene, heard her story and got upset]. She called me upset. I told her to bring the tape in tomorrow and we'll look at it together. If I felt something was inappropriate, I'd discuss it with Mason and if something was inappropriate, I'd discuss it with Redd Rose and whoever was spreading the rumor.

"I watched the tape from start to finish. There was nothing that I found offensive in there. There was nothing that looked like anybody was hurt. I suggested that we get up on the Anabolic website right away [link]. In the original report, it said she was beaten beyond recognition. At the end of the tape, she was hanging out with [Chris Charming], waving goodbye [and did not look traumatized]. Basically, they were happy campers after a long day of work. She certainly didn't appear to be beaten beyond recognition. She didn't appear traumatized. I thought, things certainly get blown out of proportion. Sensationalized journalism. Whatever."

Luke: "Also, bruises don't always show up immediately [though swelling usually does]. She could've looked worse a few hours later."

Chris: "Of course.

"From the article I originally read, it seemed like, this poor girl. I've always respected the talent. I've always realized that if it were not for the talent, nobody would make money. I've prided myself on being fair with talent [and that is Chris's general reputation in the industry] and not hiring a girl for one kind of a scene and then surprising her with another, getting rates squared away beforehand, and sometimes giving bonuses on top of agreed-upon rates. That's been the history of Anabolic.

"I asked Mason the next day, 'What happened with the money?' There were already different stories on that. She told me, 'I asked her how much she wanted at the end of the scene. She told me [$1,200]. I paid her a $100 more because it was a longer day than it should've been. I was like, 'That sounds like the right thing to do.'

"After I reviewed the tape, I called the agent [Redd Rose] with Mason in the office with me. I talked to her. She was telling a different story. That this girl was traumatized and everything was horrible. How can you people treat her like that?

"Whoa. I asked her to look at our website and how she looked when she left our office [at the end of the scene]. I don't know what she did between our office and your office. She was fine when she left Mason's shoot. She offered to help unload Mason's car after the shoot.

"The agent mentioned that [Delilah] should be paid $2,000. On your site now it says $200."

Luke: "Did the agent say $2,000 extra or $2,000 total?"

Chris: "I don't recall. I just remember the number $2,000. Knowing Mason, if somebody, depending on who it is and the circumstances, it is certainly conceivable that the director would throw someone an extra $200 for an extra long or arduous day. On the other hand, if it had an extorted energy to it, you'd shy away from [paying extra].

"The agent said the girl was in the hospital. We said, 'What hospital? We'll go visit her.' The agent said, 'I don't know.'

"Hmm. There weren't a lot of facts to support what supposedly occurred.

"I told the agent, why don't you and the girl come to our office. I've got the tape here. Why don't we all look at it together? If there's something I'm missing, because I didn't see her get dropped on her head... I didn't see any problem.

"The agent told me that she would try to arrange it.

"Later, the agent said, 'The girl doesn't want to come in. She doesn't want to speak with you guys.'

"If she wants more money, she should be prepared to come ask for it.

"If she was hurt, we wanted to know. I told the agent that if she has hospital bills, I'll make sure she gets reimbursed because that sounds like the right thing to do.

"We shot Alex Jordan parachuting. If, God forbid, her parachute hadn't opened or if she had broken her leg, I would've been out of pocket some money."

Luke: "Were you given a picture of Delilah with a swollen face?"

Chris: "No. I was given nothing. Have you been given anything?"

Luke: "No, except for a first-person report from someone who saw her soon after her [July 24] scene and said that her face was badly [swollen]."

This first-person report does not come from any one of several people told me had an anti-Mason agenda.

Chris: "We talked to the agent almost every day that week. We left messages on Delilah's phone almost every day that week. 'Please come in. We'd like to see you, to see how you're doing. We want to find out if there's a problem.'

"We got no phone calls back [from Delilah].

"By the third day, the agent said she was no longer representing Delilah, at least in regard to any problem with that shoot [because Delilah is still represented by Redd Rose]. At the beginning, the agent sounded genuinely upset. We've all seen things stirred up when they don't need to be. We've all seen children fall and scrape their knee and look around to see who's watching. If a bunch of people run over and say, 'Ohmigod,' the children burst out into tears. If you don't react, the children will keep playing. That might be a good simile to what might've happened here."

Luke: "Holly Randall says you're a nice guy."

Chris: "I was charmed by Holly when I met her at her mom's house during an industry meeting about a health problem.

"Mason has no control over other directors at Anabolic. She doesn't have the authority to tell people not to shoot somebody. I don't think Mason made any rude phonecalls. That would be out of character for her.

"Delilah says the incident didn't affect her."

I call Joe Rock. He laughs hard about Delilah's interview.

Luke: "Delilah says you dropped her on her head and she broke a toe."

Joe: "Ohmigod. This is crazy. I laugh about it now. I don't know why she's saying this. Everybody knows now that it never happened -- me having her upside down and dropping her on her head. Other people were there. You can talk to Mason, Chris Charming, Chris Mountain. Everything we did in the scene is on film. It was a rough thing because it was a Mason thing. There was some slapping and spitting but Delilah did everything to me too. She spat on me face and slapped me too. Then I left. Then she did another scene with Chris Charming and another dude. I don't know what happened. When I left, she was fine.

"Then I heard the next day that I dropped her on her head."

Joe laughs hysterically. "I don't know why she's saying something like this, because everybody who knows me knows it is not true. I don't know why she lied."

Luke: "[I heard] she fell down on her own. She was standing up and fell down. [I heard she was squatting between two guys and her leverage gave out. She was wearing high heels.]"

Joe: "It was a warehouse. It was a rough floor with nails. Once, she screwed one of her toes. A nail something. She went upside down something. But that's it."

Luke: "Did she fall on her own? When she hurt her toe."

Joe: "She just hurt her toe. That's it."

Luke: "So you don't remember her falling down?"

Joe: "No.

"I even met with her boyfriend."

Luke: "Who's her boyfriend? Tony T?"

Joe: "I can't remember his name. A photographer. The last time I met him was with Chico Wang from Diabolic. I'm not very good at names.

"This [story] has given me a helluva time. I've had to explain myself that this is crazy. It never happened. People now know, five months later."

Joe Rock has been in LA porn since 2004. "If you talk to people who know me, I'm not a rough guy at all. I'm laughing now because it's a big joke. I didn't even come close to grabbing her. I wish I could talk to her to pick her brain because I don't get it."

Mason Comments:

The night of July 24, 2005 ended very strange. I received a phone call approximately 20 minutes after Delilah Strong’s shoot had ended from someone screaming incoherently about how I had “talked s--- about him the entire day.” I tried to calm him down, saying I had no idea what he was talking about, that nothing he said was making sense. He went on and on about how he knew where I lived and that he was going to hurt me. As I was hanging up, out of nowhere he blurted, “You beat Delilah up,” and hung up. I was completely dumbstruck.

I immediately called Delilah’s agent to see if she was all right. The agent’s assistant answered the phone who was unaware of the situation, and said she would get to the bottom of it and call me back. While I was on the other line with Christopher Alexander (telling him about the threatening phone call) the assistant’s call went straight to my voicemail. Her message said “I just spoke with Delilah. Everything is fine, don’t worry.” I wanted to speak to the assistant directly, to confirm that her message was indeed accurate, so I called the agency back. Yet this time, the individual who had just threatened me moments earlier, answered the agent's phone. He said, “If you know what is good for you bitch, never call this phone again.”

About 10 minutes later I received a phone call from the agent telling me Delilah had been hurt and was due $2000 (my understanding is that is was $2000 total, it could have been $2000 additional, but we never really got that far into dissecting the figure). The agent told me that I had the chance to take care of it on my own, and nothing would be mentioned to my boss (she wasn't aware that Chris was already clued into what was happening). Words like “raped” and “bloodied” were used to describe Delilah’s experience, along with “beaten so bad she looked like a monster.” I just couldn’t believe what was being said. I kept telling the agent nothing like that happened, that there had to be some kind of misunderstanding. I told her that Delilah was fine when she left the set, that she offered to help load and unload the car after the scene was finished. She was visibly tired (as we all were) and did mention that her toe was sore. What the agent was saying just didn’t make sense. I was able to get Delilah on the phone for less than a minute that night, whereby she told me she was all right, just very tired, and that her toe hurt and her vagina was a bit irritated. I told Delilah to get some rest and we would straighten it all out in the morning. I told the agent I hoped she understood that I wasn’t in a position to pay any additional money until I could make sense of what was happening. After we hung up I called the police and filed a report against the individual who threatened to hurt me.

The next morning Chris and I called the agent to see how Delilah was doing, invited both her and Delilah to stop by the Anabolic offices to look at the camera masters (raw, unedited footage) and to please show us where any of these things took place. We spoke to the agent several times that day, but our offers were rejected. The agent kept specifying that all they wanted was the $2000, and that Delilah was not going to come into the office. Now, the agent was claiming Delilah had been “hung upside down and dropped five feet in the air, head first”. The accusations kept getting more and more unreal.

We tried to contact Delilah and her agent once again the next day. The agent told us Delilah was unhappy with the way it was being handled and Delilah said to drop it. We again made several attempts to contact Delilah directly. I’d say nothing short of 8 messages were left on Delilah’s voicemail from both Chris and myself, asking if she was all right and if she could help clear things up. Our phone calls were never returned.

I had a chance to read Delilah’s interview and I have a few thoughts. What I don’t understand is why Delilah doesn’t mention that when we went back to the office after finishing the scenes, I asked her to “name her price”. I told her to tell me what she thought was fair compensation for being on set so long (we had some wood problems throughout, and at one point had to wait over an hour for a replacement). Why doesn’t she mention that I gave her extra money on top of the amount she said she thought was fair?

Delilah did slip on her high heels during the first scene. She was squatting in front of two performers (a routine blow job position done on every porn set) slipped, and hurt her toe. She was never hung upside down and dropped on her head. It just didn’t happen. Delilah also mentioned that her vagina was irritated from some saw dust that had found its way inside her. When she told me is was becoming painful, we stopped the scene and immediately went to the pop shot and called it a day. That was the extent of her complaints.

Two weeks ago I spoke to Delilah for the first time since the night of the incident. She told me she was sorry for everything. I told her that I appreciated her reaching out to me but said this could all have been avoided if she had returned our calls. If she thought she was due money, she should have told me. But, not once during that conversation did she mention wanting any money (nor to this day has she asked me for anything). She repeatedly said how sorry she was, that everything was fine. She said so much was blown out of proportion. She said that she had nothing to do with the threatening phone calls, that he had taken it upon himself to “cause drama” because of some hatred for Anabolic. She was very sweet, seemed sincerely apologetic, which makes reading her interview so perplexing.

I never told anyone not to use Delilah, but I didn’t hold back on letting them know what my experience was. I’m sure the words “be careful” were used. I absolutely shared my experiences with Delilah’s agency and the players involved with one of my colleagues. But, I don't think it's fair to reduce that as me simply wanting to "ban them," or ban her, as if I just arbitrarily decided to pick on their agency. That doesn't accurately reflect the situation I was in, and what I said. I don’t blame Delilah for trying to defend her reputation, but I think she really needs to rethink her version of events.

I have nothing against Delilah, at all. She is a strong performer who didn’t complain on set once that day. She was a dream to work with. She made my job and everyone else’s job on set a lot easier by being such a trooper. If there was any indication that Delilah was traumatized on set, I would have canned the scene and sent everyone home, right then and there. I’m approachable. The girls know that in any given situation, they can stop the scene for whatever reason, no questions asked. I’m certainly not one to shy away from canceling shoots. But, there just wasn't any sign of that. Yes, her toe was sore, and yes her vagina was irritated, but, this wasn't what was expressed to me by her or her agent. What was expressed to me were insane allegations, and demands for money. What's upsetting to me is that if Delilah and I had the opportunity to just talk, without everybody else getting involved (people trying to stir the pot on her behalf), I know we could have reached an amicable conclusion. I would have been more than happy to pay her $200 (I would have had no problem paying her more than that--$200 seems minimal). All I wanted was the chance to speak to her directly and get her side of the story. It just seems like she's surrounded by some people who are giving her really bad advice and/or have something against Anabolic or myself personally.

Do I think Delilah could have helped things by returning our phone calls and speaking to me or Chris directly? Yes, I do. Should I have insisted on paying her well above the amount she requested? I think so. The money was never really the issue, it was the threats, the false accusations, and the fact that we could never get in touch with Delilah. If I could do it over again, I would have given her more money than she asked. But, the way it has gone down, with the cast of characters involved, and the ever changing recollection of events, I don’t know if it would have played out any differently. Delilah is a sweet girl who I think got mixed up with people who didn’t have her best interest at heart. She’s a great performer and has an amazing career in front of her. I appreciate her hard work and I apologize that it was such a tough day for her. I wish Delilah nothing but the best.

Chico Wang writes in:

For the record, I have nothing against Mason. I think she's a retarded director who think she's creating art rather than porno. When she actually comes out with a movie once in a year, maybe it'll add some levity to her argument.

However, I do love Delilah and think she's a real trooper. I've known Delilah personally longer than I've known Mason.

When Mason came to Anabolic, she suddenly created an incredible amount of bulls--- drama. She talked behind my back about how to create websites (as if she has an inkling of a clue). Before she started there, she blamed her lackluster release schedule on financial difficulties at Platinum X. We're talking about a person who can not complete a single scene within a month.

Isn't it interesting that those who get fired from company to company think they can continuously create some cult of personality because they put their name significantly on a box as if any motherf---er cares?

Granted, I have watched a couple of Mason's movies. I like a few of her scenes (not all). Give me a year, and I can create the gnarliest movie I can think of. Remember, I did shoot a big portion of the early Meatholes scenes.

I like Mason but maybe it's time for her to do her penniless mainstream gig because porno is too difficult for her. If it take a year to create a porno movie, it'll take more than 10 years to do something mainstream.

I'm not here to rag on Mason. I just think she's a disillousioned psychopath who needs to get her head examined. The mere fact that she initially succeded in getting me to ban Redd Rose and Delilah Strong in the beginning tells me more about what a drama queen she is than anything.

Redd Rose has been nothing but good to me as well as Delilah who I owe a free private to (were it not that I'm ridiculously asexual).

Mason should hide in a hole and figure out how to organize a set than bring up a load of bulls---. Her piehole is so wide yet filled with horses---. I've caught her in too many lies to trust her ever again.

I think she has Fat Dog knocking at her door because her options are limited. Maybe she can go real nuts and create a movie every 10 months rather than every year or so.

I'm done talking about this. I'm more concerned about f---ing Delilah than dealing with a drama queen. No company can bank on Mason for regular, scheduled releases. You can't build a company around her unless you want to be bitch slapped with bulls---. That is what I learned and I will continue to use Redd Rose girls and Delilah.

Redd Rose Interview About Delilah Strong, Mason

I emailed Delilah's agent Saturday night and she called me back Sunday afternoon.

Redd: "The situation was blown out of proportion. I decided to no longer involve myself in the matter.

"As an agent, if you have a girl come to you and you see her face is bruised, and you pull down her pants and the inside of her pussy was cut up because of the sawdust, and was on set for 15-hours... I hear Delilah's side of the story. I reacted like a mom who has a kid come home... You are not going to know what to believe until you call and find out what happened. I took it upon myself to call Mason. 'This is what I was told.' Then Mason told me what happened. I had to go back and forth. I never raised my voice.

"Yes, Tony T was at the hotel at the time. He was visiting another one of my girls. He took it upon himself to call Mason because he knows her and start cussing her out. That had nothing to do with me. I took it upon myself to apologize to Mason about that. But Tony's his own person. I don't represent him.

"I never suggested or implied to Mason that I wanted her to give Delilah a certain amount of money, but I did tell her she's losing two days worth of work because there's no way she can work like this. Can you compensate her by giving her a kill fee for these scenes or something? Not to mention that I never received a booking fee for that shoot.

"Then I hear from other directors and producers that Mason's going around telling people not to book any of my girls. That's unprofessional. You don't go around telling people not to shoot somebody's girls because you had a situation with one.

"Delilah is a strong performer. She's not one to complain about a situation. She goes with it. After the fact, she realized that it was an intense scene, more intense than anything she had done before. She's done Meatholes twice. She loves hard rough scenes but that was the hardest scene she ever did.

"If she was dropped on her head or if she did break her toe... I'm not saying people did it intentionally. If somebody slipped... It's not like she was beat up on purpose, but a lack of communication between the director and the talent was there on the set. No one stopped and asked her if she was ok. Delilah said she just flowed through the whole thing because she wanted to get it done as quickly as possible.

"Of course I was concerned. I was distraught to see a girl come to me with her face swollen. She had bruises all over. But I never felt that I deserved the treatment I got in return.

"I heard from girls who went on sets who weren't even involved and come back saying, 'I heard Delilah got beat up.' You know how things in the business travel. It's like a game of telephone in highschool.

"There was professional communication between me and Mason and Chris. That Delilah didn't want to go into the office wasn't because she was lying about the situation, but because she didn't want to sit there and be ridiculed and jeopardize her jobs and her relationships with these companies and with them. Delilah didn't say she didn't want to work with them again.

"Delilah said to me, 'I don't want to go through that again. If I have to do that, it's not worth it.' That's why we backed out of the situation. It was getting out of hand.

"The guys who were involved in the scene were calling me and saying, 'Why are you saying this?' Whoa. I'm not saying anything.

"I don't like to get involved with he-said, she-said drama.

"I've talked to Chico since then. He said, 'I can't believe I listened to Mason.' He didn't work with my girls for a good two months.

"To put that thought in someone's head that all my girls are going to complain, that's not it at all."

Chico Wang From Diabolic Video Writes In:

First and foremost, I think Mason is one of the most difficult directors to work with. For every 10 scenes she books, 9 get cancelled and it takes her a year to make a movie.

Yes, she called me to get me to ban Redd Rose. Yes, I did ban Redd Rose. She just started at Anabolic and created all this drama. Before the incident, I even scheduled Delilah Strong's first anal for a significant price and cancelled it.

Months later, I did meet Delilah and her boyfriend and realized that alot of the stuff Mason said was pure bulls---. Mason is a drama queen. A great director but pure drama. So I gave Delilah a kill fee for cancelling on her that was over 60% of what Mason paid for her 12 hour shoot.

My philosophy is quite simple. If you have people on your set for 12 hours, completely unprepared, with sawdust all over her and her pussy, where one of the male talent steps on her ankle either breaking it or severely bruising it, you should pay a sizeable amount above and beyond the agreed upon rate.

Delilah has always been nothing but a consummate professional and has always been superbly eager on my set, often going above and beyond the call of duty. Her boyfriend is also an outstanding guy. She tells me she was hurt in the scene and I believe it. I've known her boyfriend for a while and even he said she was traumatized for a couple of weeks and didn't perform. Delilah is a superwhore and if she doesn't get sex for a couple of weeks, she will have withdrawals. Even Rose's girls told me Delilah wasn't the same for a while.

I believe Delilah. I don't think she was dropped on her head but Joe Rock, and I like that goofy Canadian, is a clumsy f---er sometimes but is not the type to have malicious intent. If anything, he was just following directorials.

Tony T. even let me know that Delilah was not only pissed but bruised.

I personally did apologize to Delilah months after I stopped using Rose's girls because Mason asked me to.

At the very minimum, Delilah should be lauded for withstanding one of the most arduous and difficult stress-case directors out there and finishing the scene. I truly believe this is a case of a director who was unprepared for the ramifications of her 'vision' and was unprepared for the shoot. Just lighting the set took several hours, with no toilet (except a bucket).

That s--- simply is an act of a thoughtless director who casted the wrong, woodless male talent and made a sweet girl like Delilah miserable on set. If it was me, I would've cancelled the scene and gave Delilah a significant kill fee, not the token $100 given after a 12 hour, ghetto shoot with no bathrooms and sawdust all over the place.

LA Direct Models Party

Dec 19, 2005.

I run into Tony T and ask about the director Mason.

Tony: "She's been in the company [Anabolic] for nine months and she got fired three weeks ago."

I ask Chris, the owner of Anabolic, if Mason has been fired. He says no. He says Mason is still with his company.

Tony: "She was at another company, in the office, to get a job and she got rejected. She doesn't know what she's doing and she's a ruthless bitch. She's dumb to use my name [as someone who threatened her over the Delilah Strong affair]. She offered me $2,500 to perform in scenes. She can go f--- herself."

Luke: "When you called her about Delilah Strong, what did you say and what did she say?"

Tony: "She used my name. He [Chris Charming] was there that day when the s--- happened."

Chris, from Germany, nods. I don't think he wants to get into the middle of a controversy.

Luke: "Mason says you threatened her."

Tony: "I did threaten her. That wasn't a threat. I was going to do it. I keep my word.

"That dumb motherf----- Yani [a friend of Mason's who was on set for the Delilah Strong incident], she's running around with. She uses my name."

Luke: "What shape was Delilah Strong in when you saw her?"

Tony: "She was f-----up."

Luke: "How so?"

Tony: "She was crying."

Luke: "Was she swollen?"

Tony: "She was bruised, swollen, crying like crazy.

"We do porn, man. We're not trying to kill people. On top of all of that, [Mason] brings my name into it when I had nothing to do with it.

"Mason will never go anywhere in this business. Everybody knows who she is and everybody knows who Tony T is."

I turn to Charming. "Chris, you were on the set where Delilah got hurt. What happened?"

Chris, in stumbling English: "There were two scenes. In the first scene, I got only that her toe was hurting her. I don't know how it happened. They didn't know it was broken.

"The scene was long. It wasn't easy. It was a hardcore scene. We were laying in dirt. Sawdust was flying around.

"When she left, she was in pain.

"I didn't recognize what happened to her until after the scene. And it didn't happen in my scene [with Delilah]."

Delilah Strong Vs. Emily

Delilah responds June 21, 2006 to the former Redd Rose assistant:

Emily- I was surprised and glad to hear that you were released from the mental hospital.You should've called me..its too bad you were released before your "recovery"was complete.Now I have found some "interesting"reading material while packing up your belongings..I'll be sure to forward these "thoughts"to your therapist so that you can address these ISSUES you have...also,be sure to up your dose of lithium,and zoloft so you stop hearing those "voices"you apparantly hear.also what size buckles do you need on your staightjacket? because I'm sure you're going to be committed again once we forward your "diary" to your parents.we've also included your prized belongings like your coloringbooks,stuffed animals,disney movies playdough and lincoln logs.as to address your accusations as to me being a whore,I've never denied that and furthermore,arent I known in this industry for even practically wearing a sign that says so..so what?as far as being a bad mother,I support my child finacially,emotionally and send my child to private schools,send her wearing louise vitton backpacks and tiffany jewelery..at least I gave my child the chance..you know what I mean babe...twice..right? :) .... also,wasnt it you that was "entertaining"gentelmen to support your drug habit?? :) so when you go as far as to say I'm a drug addict, sure I smoke pot,have for years and am not ashamed of it.. so feel free to rant and rave i know it makes you feel better.....