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on Lukeisback May 15
James DiGiorgio Stirs It Up On Nina.com
JimmyD writes:
I wrote some stuff on my blog re: the story of the performers in Florida
who hunted, killed, and then defiled and had sex next to, the dead bodies
of a water bufallo and a goat.
In that entry, I compared the animal-killing content to a snuff movie.
I also took the opportunity to compare some of the present state of
porn to Sydney Pollack's movie, "They Shoot Horses, Don't They?"
I thought I'd throw the analogy up here, since this is one of the few
porn discussion forums that intelligently and incisively talks on the
subject (if not the only).
I was wondering what other viewpoints some of you might have regarding
this issue of (what I perceive as) so much of porn becoming a "negative
business" and lacking "normalcy in its depiction of sexual relationships."
And let me say that my version of "normalcy" isn't two people doing
it in a missionary position. but at the same time, my version of "normalcy"
doesn't include practices like sex next to freshly hunted and killed
dead animals or spreading bacteria thru A-2-M or finding out how many
penises it takes to rip and draw blood from an 18-year-old's asshole
or other freak show content. I don't, generally, judge people who privately
and with each other's consent engage in these practices, but i'm willing
to judge an industry that seems--more and more each day--so fixated
on the fringes of sexual behavior at the expense and neglect of the
erotic aspects of sexual behavior and trying to pass it off as, supposedly,
common and everyday behavior.
Ernest Greene responds:
I think [killing animals in porn] repulsive, can't imagine being turned
on by it and don't think I'd like anyone who was. However, I do think
this story is being overplayed in the XXX media, given that it's an
isolated situation, not a general trend. The level of indignation it
inspires, considering what's going on in the larger world, seems entirely
disproportionate. All that howling over a dead animal from every animal-lover
in this business, and not one word about the human catastrophe in Darfur?
A little bit of perspective please, folks. This is just an ugly anomaly
that needs to be stopped. It's not the greatest crime since Cain slew
Abel. Okay, the lynch-mob forms to the left.
Now, on to the second part of your question: as to the matter of "so
much of porn becoming a "negative business" and lacking "normalcy in
its depiction of sexual relationships," as a person whose particular
sexual orientation was widely regarded as vile and perverse when first
enteriing this industry, I'm instantly suspicious of arguments of this
type. Since when is normalcy in the depiction of sexual relationships
any kind of priority for porn? What is normalcy where sex is concerned?
Frankly, I can't lose a wink of sleep over this kind of thing. I don't
regard any kind of sex that is legal - which is to say involving consenting
adults and no non-humans - as somehow off-limits for depiction in a
medium meant to stimulate people's fantasies.
I'm not alarmed in the least about the faddish popularity of stunt-sex
or extreme sex or whatever it goes by these days, though I do have obvious
safety concerns about some of the practices involved, simply for the
benefit of the performers themselves. I couldn't care less about the
image of the industry, as porn will be loathed by those who loathe porn
no matter what the content. There's no point in trying to appease porn-bashers
by trying to make porn prettier or more mainstream. As I've said about
a million times here, porn-haters make no distinction between a Vivid
feature and meatholes.com. It's useless to try to make a good impression
on people who have already decided that you're the spawn of satan.
I would like to see a bit less of what I consider high-risk behavior
(AIM's web site gives some clear examples) that is likely to lead to
health complications for performers, but even with what appear to be
dicey activities, risk-reduction is possible with a bit of forethought.
ATMs and DAPs are only as risky as the individuals engaged in them make
them. If you spend some time with the performers who specialize in these
acts, I think you'll learn that there is an element of "circus magic"
in what they do and many of them seem to rather enjoy the shock and
horror their performances inspire, which is a perfectly legitimate artistic
motivation in my admittedly somewhat twisted conception of art.
Frankly, I think the whole "trend" toward what you consider "freak
show content" is part of a general fad for over-the-top "entertainment"
manifested in mainstream stuff like Fear Factor. Don't like it personally.
Don't watch it. Don't worry about it. Some other fad will come along
to replace it soon enough. What does irk me somewhat in the porn context
is the huge ruckus being raised about what is essentially a niche market,
obscuring the much larger fact that the great majority of XXX product
being made and consumed bears no resemblence to the materials getting
so much attention. My feeling about this kind of porn is the same as
about any other. If you don't like it, don't buy it and don't watch
it. Nobody is forced to produce or consume any of this stuff, so just
avoid it an support the kind of product you'd rather see instead. Vote
with your money. If consumers spend more on "nicer" material, more of
it will get made. By causing such a fuss over the most extreme content
available, buzz and curiousity are created, actually promoting that
which you wish to see less of.
I guess where we disagree is in the percieved harm done by material
of this kind, and some implied responsibility on the part of community
leaders to oppose it. I have found myself grinding my teeth at reviews
sometimes, particularly in my own genre, when I felt the reviewer just
couldn't understand any form of erotic expression more subtle than a
baseball bat up the ass. I do think they get numb from watching to much
low-energy porn and are inclined to sit up and take notice at anything
that seems different, even if it's only different by virtue of being
extreme, or even ugly.
However, I think the health consequences of the behavior involved are
the only real concern, as I still insist that content is a matter of
taste and should not be subject to collective pressure of any kind.
There are ways of reducing risk even in seemingly hazardous activities,
and when those risk-reduction methods are employed, as they always should
be in my opinion, the only rational reason for opposing this or that
activity goes away.
Consider the obvious case of internal pop shots. That they can be dangerous
was demonstrated all too vividly last spring. However, had no HIV-infected
players been involved, the behavior itself wouldn't have presented any
exceptional risk. That's one reason I'm reluctant to condemn a particular
sex act out of context. Anything is dangerous with a dangerous partner.
Very few things are dangerous with a safe partner.
I don't think reviewers or anyone else in the industry is really driving
the trend you've observed. I think the market drives it and when the
market is saturated, the trend will fade out. It seems to me, from what
I read here and on ADT, that this may already be happening. The partisans
of ultra-hard-core certainly make their preferences known, but there
is plenty of contrary opinion expressed and, as I've mentioned, other
kinds of video products seem to sell just fine, with or without reviewer
attention. One thing Andrew Blake and I have in common is that, at least
in recent times, we don't get treated as "real pornographers" by the
powers that be, but somehow our products sell better than they ever
have.
Celeste aka Bunny Luv ashamed of her past?
Lee
O writes on ADT:
I'd guess ex-performers turned director find it harder to gain industry
respect than people who just start out as directors right off the bat
. Probably a trickle down from the contempt garnered by "director" stars
who have their name attached to product someone else has shot . Maybe
she thinks a fresh start will buy her a better chance of being judged
on her new job instead of always being seen through the memory of her
old one?
Christian, a porn performer, writes:
Celeste (Bunny Luv)'s husband/boyfriend/whatever is Robby D, they recently
had their first child....anyway, Celeste and Robby D dont hide the fact
that she was Bunny Luv at all. I have heard them mention it on set numerous
times. I think being a performer turned director is helpful because
of the name recognition factor....it sells tapes.
Family Business - A Sanitized Look At Porn
David
Aaron Clark writes on ADT:
By "warts" I meant that his TV crew didn't follow him into the industry
conclave at the beginning of the moratorium last year, & capture sobbing
actresses, pissed-off male talent, weasley gonzo producers & big-money
guys inviting everybody to enjoy LFP's donated coca-cola & chicken-wing
spread & don't worry, be happy.
Mr. Butts was in fact one of the only people there to try and address
the problems facing the industry from a decent, moral point of view.
Wayne writes:
I had few problems with the show but have recently come to the conclusion
that this is probably the best way to go for an introduction to a mass
audience to the world of porn and to show that directors and talent
are real human being's and don't have horns. In a recent epicode with
Julie Night they really pushed the envelope with her having dinner with
straight friends of Uncle Stevie and commenting about wanting the Chinese
waitress to pee in her mouth. Yes, the show is a lot about his family
with his Mother, Uncle Stevie and his son. If he shared custody with
anyone except his former ex. Taylor Hayes, also ex porn star she would
be asking for full custody. As the envelope is pushed more and more
of us Gonzo fans will get off Showtimes's back.
JM Productions Disrespects Porn Stars?
Here's
an excerpt of their ad copy for American Bukkake:
Camilla, who had lost her virginity a mere six weeks prior to the bukkake
(!), looks like she wants to slit her wrists during her scene, and when
questioned on-camera by director Jim Powers, she says it's the worst
day of her life. Her pre-scene masturbation scene is completely not
erotic, and she looks like every pop on her face makes her die a little
bit more on the inside.
David
Aaron Clark writes on ADT:
The JM (& much other porn marketing, though rarely as near semi-literate
as the sophomoric ad copy churned out by Steward & crew) marketing demographic
isn't guys with girlfriends ... it's guys who are unable, by the demand
of either personality defect or court order, to get within fifty yards
of an actual human female unless they're at their HMO and a colonoscopy
is required to survey the damage of all the Happy Meals they've consumed
alone with only their beloved downloaded hate-porn collection & horned
right hand permanently spasmed into a claw-like rictus for any company
whatsoever ...
The kind of crrepy-loner adolescent sense of humor that appreciates
the ad copy in question is the same petulant, petty childishness that
can drive a person to create an identity on an "enemy" internet talk
board in order to try to bolster one's sense of cleverness to try &
compensate for other ... deficiencies ...
Gram Ponante's Toned-Down XBiz Blog
The stuff he publishes here
is more restrained than what he places on its own blog. XBiz has all sorts
of guideliness for good taste which Gram Ponante, in
his natural state, lacks.
The Pace and Tempo Quicken: Chronology of the Emerging
Porn Offensive
Number Two on the DOJ Playlist with a Bullet
Attorney J.D. Obenberger writes on his
website www.xxxlaw.net:
1.
January 6, 2005. Alberto Gonzales nomination
hearing, Senate Judiciary Committee: Mr. Gonzales stated six particular
goals. Number six was "Obscenity"; The AG-to be explained,
"I think obscenity is something else that very much concerns me.
I've got two young sons, and it really bothers me about how easy it
is to have access to pornography".
2. Fourteen
days later, on January 20, US District Judge Gary Lancaster declared
the federal obscenity statutes to be unconstitutional - at least as
applied to the activities of Extreme Associates, Inc., Robert Zicari,
and Janet Romano in shipping obscene material by mail-order and in selling
access to a pay website containing material that was conceded by the
defense to be obscene for the purposes of the motion. His decision
rested strongly on the right to Privacy as articulated in Lawrence
v. Texas, 539 U.S. 558 (2003) and Stanley v. Georgia, 394
U.S. 557, 564-6 (1969).
3. On February
14, 2005, Alberto Gonzales was sworn in as the eightieth Attorney
General of the United States. He faced an immediate and urgent decision
as to whether the government should appeal from the decision in Extreme
Associates. One year, to the day, earlier, Bruce Taylor's appointment
as Senior Counsel to the chief of the DOJ Criminal Division had been
quietly announced in the LA Times.
4. Two days
later, on February 16, the Justice Department filed its notice
of appeal from Judge Lancaster's dismissal of the Indictment. "The
Department of Justice places a premium on the First Amendment right
to free speech, but certain activities do not fall within those protections,
such as selling or distributing obscene materials," Attorney General
Alberto Gonzales proclaimed in a written
statement. "The Department of Justice remains strongly committed
to the investigation and prosecution of adult obscenity cases."
5. Twelve
days later, on February 28, 2005, the Attorney General spoke
at the Hoover Institute and laid out a vision of his term: "Another
area where I will continue to advance the cause of justice and human
dignity is in the aggressive prosecution of purveyors of obscene
materials. I am strongly committed to ensuring the right of free
speech; the right of ordinary citizens and of the press to speak out
and to express their views and ideas is one of the greatest strengths
of our form of government, but obscene materials are not protected by
the First Amendment, and I am committed to prosecuting these crimes
aggressively."
6. Very quietly,
a short time later, a publication named DOJ
Obscenity Prosecution News made its appearance on the US
DOJ Criminal Division web page, ominously describing itself as "Spring
2005, Volume I, Issue 1" of a new periodical edited by Bruce
Taylor and apparently dedicated to chronicling a new wave of adult
obscenity prosecution. AVN's Mark Kernes wrote an article detailing
the newsletter, attributing the tip to XXXLAW. It may be found where
it is discretely hosted on the DOJ Criminal Division page, at
http://www.usdoj.gov/criminal/obs032604.pdf
as well as here
7. On March
16, Senator Brownback's Subcommittee on the Constitution, Civil
Rights and Property Rights of the U.S. Senate Committee on Judiciary
held a hearing
in reaction to the decision in Extreme Associates. Senator Brownback
first ridiculed the reasoning of Judge Lancaster's decision by observing:
"Judge Lancaster cobbled together hand-picked strands of 14th Amendment
substantive due process, decisions from Roe, Lawrence and others and
ruled that the statutes at issue violated an unwritten constitutional
right to sexual privacy."
8. On May
3, 2005, Attorney General Gonzales spoke
to a group of prosecutors and law enforcement officers at a conference
in Gaitlinburg, Tennessee and significantly addressed adult obscenity,
listing the prosecution of obscenity second among his goals as Attorney
General:
From street corners
to websites, obscenity and child pornography rip at the
heart of our moral values and too easily corrupt our communities.
I've made it clear that I intend to aggressively combat the purveyors
of obscene materials. . . Enforcement is absolutely necessary if we
are going to protect citizens and children from exposure to obscene
materials. . . I have directed Department officials to carefully
review federal laws to determine how we can further strengthen our
hand in prosecuting obscenity. Our goal is to assess all the law
enforcement methods we use-and identify the tools we may still
need-to more effectively investigate and prosecute these crimes.
9. Two days
later, on May 5, last week Thursday, the Chief of the DOJ Criminal
Division announced the formation of an obscenity prosecution task
force composed of CEOS trial attorneys and dedicated exclusively
to the prosecution of adult obscenity. Counsel to the task force
is Bruce Taylor; The task force will obtain assistance from the Organized
Crime, Computer Crime, and the Assets Forfeiture units. In the DOJ Criminal
Division press
release, the Chief explained that the global traffic in obscenity
required a specialized response in the computer age. He pledged to enforce
"the laws on the books".
[The foregoing was
extracted from an article by J. D. Obenberger that will appear exclusively
in the July, 2005 issue of AVN Online, "True North and the Magnetic
Declination in Alberto Gonzales's Moral Compass. Another article, "Pleasureboating
on the River Rubicon" is nearing completion.]
Yet another model who thinks the internet is scary
Franck
writes on GFY:
So i was mailing with this model. I offered her her own site.
First of all let me tell you she responded to an add where i talked
about internet work. I mention this in my ads nowadays because usually
when they mail me and i mention internet i never hear from them again.
Now i mention the word so i know models who contact me have no problem
with internet work....i thought.
She emailed me and actually looked very nice. Which rarely happens.
So i mailed her back, quite a big mail how i could offer her a contract
and s--- and make her a site. I dont hear back from her for a week.
I mail her again asking to at least say yes or no. She mails me back
the next day saying she could be interested but doesnt have much time
at the moment.
I mail her back another big ass mail, explaining how i could shoot several
site updates in 1 afternoon blah blah...
Days pass, nothing, till yesterday.
"hi, i think having my pics on the net would be bad for my future
career/work".
So this made me think about a few things:
1 She responds to an add about pics for the internet.
2 She says shes interested but has little time and suddely a week later
it will hurt her career.
3 Were not talking about a porn site but a strictly nonnude site.
Now Holland is full of wannabe models. They all want to work for Elite
and other big modelling companies. Its quite sad.
Many of them dont want their pics on the net...its a scary place. But
the funny thing is when a magazine like FHM has a contest those same
girls send in slutty lingerie and bikini pics which get published in
a magazine for 16 yr old guys who do nothing but wank off to them all
day. But hey thats alright, that isnt dirty like the internet.
This other girl a while back. Very very hot. She would be a huge money
maker if i could get her to do a site. She told me she couldnt do it
because her agency doesnt allow contracts with other people. Were talking
about a 13 in a dozen mediocre agency who most likely has some s---ty
job for her once a month. I could pay this girl more per month than
what she makes with that agency in 6 months.
JimmyD Says: Yay, AVN!
James writes:
While in one breath, I commend AVN for taking a stand regarding these
(un)Sexy Outdoor Sports snuff-film producing assholes. But in the next
breath, I would encourage AVN to take more stands when it comes to some
of the dangerous practices and content that hides behind the 1rst Amendment,
passes itself off as consenting adults consenting to harmless and benign
activities, and other issues that threaten our lives, our freedoms,
our businesses, and our livelihoods.
I fear a slippery slope here. Once AVN and Jimmy take moral standards
on animal slaughter and unsafe sex, what could be next? Soon they'll be
opposing our very industry.
Pornogossip.com
Runs Out Of Steam
It hasn't had anything for weeks. Ever since fingers started pointing
at T.J. DeReda and the Vertigo crew as the authors of the gossip blog.
ICANN
Finally Posts Notes On Its .XXX Domain Registry Proposal
Although no resolution was offered regarding this issue, their was
broad discussion of this matter and the Board agreed that it would discuss
this issue again at the next Board Meeting.
ICANN isn't saying when this next board meeting will take place.
'The Thing I'm Most Proud Of In My Entire Life'
I call a porn friend and ask him about last week. "It was unbelievable,"
he says. "It is probably the thing I am most proud of in my entire
life. I can't go into it because of confidentiality but this is going
to be huge."
A Chat With Stoney Curtis Of Porn
Star Performance
I call him Monday morning.
Stoney (of Lethal Hardcore and Celestial Productions): "I've been
in this business for 12-years. I'm sick of people coming over, doing an
interview, you book them for a shoot, you have everybody show up, and
then they don't show, don't call. They just don't care. The focus of my
building this whole site is to prevent that.
"You'll never be able to get rid of it, but there will be repercussions
to agents who don't care.
On April 1, Nina.com's
Ira Levine began a long thread about PornStarPerformance. DCypher posted
and took some shots at Stoney.
Nina Hartley writes:
I'm with you guys on this one. It will just be a place for dopes to
air their grievences and spreakd rumors.
Besides the obvious room for out and out lying, why was nothing said
about male talent? I've had my share of prima donna dudes who are also
late, on drugs and can't get wood. Will that be mentioned?
Sheesh. Stoney isn't the first "director" to cock block in an attempt
to be stunt dick for a day. Why doesn't he just buy a hooker and be
done with it? Sleazy, to put it mildly.
We usually take care of these things by word of mouth. More effective
that way.
Duke to Stoney: "Would you be concerned if people put up pornproducerperformance.com
and started rating producers?"
Stoney: "Not at all. I would encourage it. For twelve years, we've
never written a bad check to anybody. We pay the same day and we pay good
rates. That's up to the talent to set that site up.
"I started out shooting for Russ Hampshire at VCA under another
name. I shot features for a while and then got into the gonzo world in
1996. Then I opened up my own thing in 1998."
Duke: "Did
you read that thread about on Nina.com about you and porn star performance?"
Stoney: "No. Everybody has opinions and they're entitled to them.
It doesn't change the way the world is run."
Duke: "There's a guy, DCypher, who writes hardcoregossip.com, wrote
on Nina.com: 'Sorry to hear that Stoney Curtis, who has been beaten up
more than once for jumping into scenes with girls without telling them
or finishing the scene, paying the male talent and sending them home,
then f---ing the girl and telling her it's still part of the scene, is
not privy to this time honored method.'"
Stoney: "If people want to write wild outrageous lies on the internet.
Notice that they didn't say who the girl was and the date. Who were the
people who beat me up on sets? When did it happen?"
Duke: "He writes: 'My ex told me...'"
Stoney: "I never shot her. We were scheduled to shoot her but didn't.
I think there's some bad blood there."
Duke: "This is what he wrote on Nina Hartley's site..."
Stoney: "I don't care what this guy writes. People are entitled
to write outrageous things. This whole business is fueled by that stuff.
'I'm also from another planet. I got in a gun fight with the FBI.' If
people are going to write outrageous lies, what are you going to do? Get
upset? Where's the proof? Who are the girls?"
Duke: "He says it was his ex-wife Bunny Luv. He claims that you
cornered her alone in a room wearing a bathrobe, 'opened it to expose
himself to her, then told her' that if she didn't have sex with you, you
wouldn't hire her. That's what he wrote on Nina.com."
Stoney laughs. "That's awesome. That's funny. That's great. I guess
that makes me more of an interesting guy than I really am. That's totally
outrageous."
Duke: "Is it true or false?"
Stoney: "It's absolutely false. I don't know what he's talking about.
I've never even shot her. What's the name of the movie I shot her in?"
Duke: "No. He says you were at a party at your house and that you
cornered her..."
Stoney: "That's true. I was at a party at my house. I think they
came. I don't remember being happy that they came and I think I told Jim
[South] Jr to tell them to leave. That was about it.
"People, when they feel rejected by your company, they look for
all kinds of things to write about.
"I think that was 1998? Why are we talking about 1998?"
Duke: "Because it was just posted a [few] weeks ago."
Stoney: "I had a party back in 1998. That never happened and it
is ridiculous for anybody to write about seven years ago anyway. Isn't
this 2005? Why are we talking about 1998? We're talking about porn star
performance. I think it is only people who have something to hide who
don't like it. Because if they show up and do a good and are professional,
word is going to spread fast that they are good talent. If you don't show
up and you f--- people around who are trying to put money in your pocket,
then the truth will come out faster. Maybe some people don't want the
truth to come out that fast."
Duke: "Do you think this is already having a beneficial affect on
the talent?"
Stoney: "I would think so. Several talent I know who didn't show
up on their producer read about it and called that producer back and apologized.
The producers were floored to ever hear from them again.
"There were certain agents who had a hard time responding to phone
calls and bringing girls back. Now, all of a sudden, are calling and saying
they'd like to bring their girls over.
"Most of the items on pornstarperformance are positive.
DCypher writes on Nina.com: "My ex-wife, Bunny Luv, was famous for
taking jobs with a chipper attitude and then not showing up and shutting
her phone off the day of the shoot. When people would reach her and ask
her why she would tell them not to hire her again, but they would still
call."
LADirectModels.com
Drops Olivia O'Lovely
Derek from LADirect
posts: "LA Direct Models booked Olivia O'Lovely to a regular
cleint in Florida last week, with her flight departing this morning at
9:30am from LAX. My office has just received (12:30pm) a call from Olivia
that she did not go to the airport or get on the flight because "she thinks
she might have strep throat." No explanation was offered why this could
not have been communicated in a more timely manner so the flight would
not have been wasted. Flight cost is lost and will be repaid to client
by Direct Models. Olivia is no longer repped by Direct Models."
Genesis Skye Turns
21
She
posts to XPT: "Hey Guys! So this is it! The last birthday I actually
have to look forward to. In less than 12 hours I will be 21!!! I came
home to Wisconsin so I could spend it with my friends out here and my
family of course. I return to Cali on the 22nd and will be hitting the
bars the second I step off the plane. Deja Daire is taking me out for
my birthday! I will be careful and no drinking and driving for me!"
Does Exotica-2000
Bust Violate Original Intent?
Smiling
Arab writes on XPT:
Oh my God, this made me burst out laughing. Moronic john crying about
persecution, religious intolerance, etc... It reminded me of sitting
on the couch--you know what I'm talking about--a few wisps still streaming
out of the bong, 16 years old and damned certain that the gubbun'mint
should get their hands off my crops and go bust those dudes with the
briefcases, man.
Society can be defined--past, present, future--by the laws it makes
restricting certain behavior it deems anti-social. Yes, perhaps someday,
our looking askance at him paying the average yearly wage of a Sudanese
herder to a 50% plastic/50% organic blond for entry into her vagina
for an hour will seem ridiculous, and we'll look to future generations
like witch-burners look to us. That's life, Johnnie, get a goddamned
helmet.
JamesN writes:
another take on why the john can't complain is that making the cost
of entry and potential downside of visiting a prostitute high enough
isn't some religious-right bull, but rather a really, really smart idea
developed over thousands of years. highly-populated urban areas have
more pathogens than rural ones and higher immunity, pathogens change
faster than immunity does on animals like us with long-gestation times
and you're now looking at a large number of nasty stuff that can get
nastier fast. we can't do s--- about viral infection, same as 2000 years
ago. manhattan goes down if a filovirus hits it. that's an extreme example,
but the fact is that too much sex kills-sorry all you sex-positive swinger-types,
annie sprinkle/nina hartley and their apologists. look at the percentage
of people with some kind of STD--it's f---ing staggering. AIDS has cut
the population of many african countries down to the point where the
average lifespan is under 40 years.
imagine if something like genital warts or herpes mutated to become
more serious. there's nothing evil about f---ing a hooker, i'm not that
interested in it, but it makes sense to make it more of a decision than
whether you want to have chinese food for dinner.
Ivor Biggun writes: "It's not too much sex that kills, it's too
many sexual partners. That's why someone like me chooses monogamy and
uses porn as a vicarious outlet for his more polyamorous desires."
AVN.com Editorial: Drawing the Line
AVN
posts:
Questions about the morality of the legalized hunting of animals aside,
combining that practice with pornography, as a south Florida company
called Sexy Outdoor Sports has done, is repugnant, depraved and inexcusable.
As detailed on AVN.com over the weekend, Sexy Outdoor Sports had Georgia-based
adult performer Daisy Duxxx kill a buffalo with a hunting rifle, then
videotaped her having hardcore sex with a man next to the slain animal.
Stung by the controversy the story generated, Duxxx and Miami-based
Alternative Modeling, which had supplied her to Sexy Outdoor Sports,
have now promised to sever all ties to the hunting outfit, a stance
we commend.
AVN has always been a staunch defender of First Amendment guarantees
of free expression, notably when the material involves consenting adults,
but in the case of Sexy Outdoor Sports, we draw the line. Animals cannot
consent.
An observer writes: "Is it safe to assume that AVN would have a
different take on this subject had Sexy Outdoor Sports taken out ad space
in that august publication? Kill a buffalo, eat a steak."
True Or False?
I heard a story that a producer shot a few video for Dustin Flynt but
he didn't get paid because Justin said his videos were obscene and therefore
unusable. What's the scoop on this rumor?
I heard a couple of directors were fired by LFP last week. Not sure if
these stories are related.
Nazi Gash Goosesteps On . . . in one reader's mind
From www.sexwrecks.com:
A fan of this week's feature on Bianca
Trump's KKKonversion first directed us to the blog of caucasoid-and-flauntin'-it
Jessica
Darlin, and then treated us to the following groundless hearsay--which
we have no means of verifying nor ANY REASON to believe is true (and
neither do you). In fact, let us chalk this dispatch up to its author's
comical fantasy life. In no way is what follows to be taken as fact:
"The whole white-power-porn-chick thing isn't unknown. I used to hang
out a lot with Sid
Deuce and she was always railing on "the niggers and spics." Not
surprisingly, she lived in Boston for a time. Must have picked it up
there. I also caught earfuls from Jasmin
St. Claire while drinking with her. After she swilled a few rounds,
she'd get loud and obnoxious and start calling out to passing dark-skinned
citizens, "Hey, moolie!" Weird, because while Jasmin
may be a lot of things, white certainly isn't one of them. Of course,
there was also Nico
Treasures, who went the opposite route. It was the rare white dude
that she'd plook outside of the movies. She preferred the dark meat
or the chorizo. I used to go party with Nico and almost got my ass kicked
by a soul brother who considered her his personal property. "Hey, bud.
She's a whore. That means she belongs to anyone. Recognize." Of course,
Nico
later discovered she was a lesbian and got ejected from Dodger Stadium
a few years ago for making out with her girlfriend during the seventh
inning stretch. That got so much press that the Dodgers organization
issued a formal apology and (I think) gave the girls some cash. They
also sponsored some sort of homo day."
Remember the above is the content of an anonymous email that was posted
for its humor content and is NOT TO BE TAKEN SERIOUSLY. Absolutely none
of the allegations above are rooted in any kind of provable reality.
We love everybody.
Extra special thanks to Robin Bougie, who penned the original piece.
Go now to Cinema
Sewer.
A Healthy Breakfast For A Porn Journalist
It's important to start a porn day the right way. I took a break at 10:30am
to have Cookies 'n' Cream macaroons, soy milk, cottage cheese and four
tangelos. DP Della has been eating Wasabi peas.
Craig Valentine
Phones
Craig calls at 8:27am: "Rob Spallone told me to call.
"I warned these guys 18-months ago about this sick bastard [Adam
Redford who owns Sexy Outdoor Sports and shoots porn around the killing
of animals] when girls started getting hurt out here. Everybody knew.
I pulled a gun on this sonofabitch when he tried to shove a fish in my
wife's pussy.
"He [Adam] was on the The
Insomniac Show with Dave Attell. They were doing latenight fishing.
"This guy [Adam Redford] films in Everglades National Park and Biscayne
Bay. There are a lot of girls he's hurt."
Adam says this is completely false.
Duke: "How does he hurt them?"
Craig: "He doesn't care about their safety. He took my wife [Summer
Haze] out on an airboat [18-months ago]. First, he said chaperones couldn't
come. He tried to make every excuse.
"I went. He puts her in the middle of aligator mating season. Then
he brings a live snake over and I bring my gun out.
[Adam says this did not happen.]
"I explained to him, 'You booked her for an outdoor calendar shoot.
Not for this sick s---.'
"Even the airboat guy stopped everything because he was in fear
of my wife's safety.
"Then the sonofabitch books her on another shoot. He does the standard,
'The male talent couldn't make it so I'm the male talent.' He does the
simple sex scene. Then he tries to shove a fish in her pussy. She goes
to smack him.
"Before I got on the boat, he made sure to disarm me. But, I'm sorry,
we're in Florida. I have a license to carry a gun. I always keep a back-up.
I told, 'Dude, do this again and I'm going to bust a cap in your ass.'
"Then he kept doing more and more stupid s--- and I made him turn
around and take the boat back in. 'Dude, we're porn performers. Whatever's
damaged in your head, this is getting weird.'
"Then he started sending her emails about how he wanted to book
her in a shoot where he sliced the throat of a pig, f----- her while the
pig ran around dying, smearing blood all over her... She flipped. She
went nuts. We called the cops.
"When we went to AVN [January 2004], we told Bill Margold. We told
Jim South. We told AVN. We told Wankus. We told everybody this sick asshole
in Florida. Everybody was looking at us like they didn't believe us.
"Then I saw him [Adam Redford] at the AVN Show. I told Bill Margold,
this is the asshole.
"Adam was out there trying to sell his movies.
"Now 18-months goes by, and everything I told everybody is true.
And nobody wants to print our story.
"Jennifer Worthington did a shoot with him and won't come anywhere
near him. Shauna Banks says he is a strange guy. When he couldn't get
any more girls, he started pimping himself out as male talent.
"We're bad people for owning racing greyhounds but these people
can kill animals?
"On the good note, we got the May AVN and we're number 71 (Couples
Fantasy) out of the top 75 renting DVDs."
Cutting Ties With Sexy Outdoor Sports Over Animal Slaughter
Gene Ross reports. AVN
reports.
Girls Night Out
From LAObserved.com:
The "sex issue" is a tired alt-weekly mainstay. One of the hoarier
cliches is the writer who hangs with a stripper (dominatrix, porn actress,
pick one) and reports back that, gee, they are people too — typically
adding a chaste disclaimer of personal disinterest on the part of the
writer. CityBeat's current "deviant sex issue" ventures off that well-worn
path. Andy Klein reads for naughty bits between the lines of Strunk
and White's Elements
of Style, and when Erika Schickel and a friend leave their kids
and men at home to go out for midweek
lap dances, cool detachment is not their intent. The West L.A. strip
club they choose is all nude and thus alchohol free, so "feels like
the calm eye of the male sexual storm that rages outside in the world...here
the man are calm" and leave them alone. Schickel realizes "the challenge
of choosing a dancer lies in the fact that these girls were not created
with my aesthetics in mind," but "Ava" turns her on and they go to a
back room. The usual no-touching rules are thrown out:
My husband has a weakness for cool blondes. He'd want me to go for
her. There is a strange crossover between my desire for my mate and
my desire for this stranger that creates a circuit in my libido. For
the first time this evening, I feel a jolt of arousal.
Haley
Page
Jack writes:
Haley Page is a relatively new porn starlet - been around about 1 1/2
years - one of very few in the crop who - to me - is interesting enough
to remember the name. Yeah, I know it's in the eye of the beholder,
and this probably isn't the most flattering picture.
She's shot gonzo for high production value stuff in the valley and
she's made the obligatory Florida internet circuit, appearing, too on
cumfiesta and probably other website programs. There's a certain je
ne sais qua about her face and mannerisms that reminds me of an old-time
minor porn starlet from the days of Taboo and Debbie Does Dallas - Tawny
Pearl, real name Pearlman. Wonder what's become of her? Probably a grandmother
by now.
What's Going On With DOJ's Porn Initiative?
Lawyer writes:
Lots and lots of stuff coming out of DOJ about a porn initiative. Have
you been reading Mark Kernes' articles? Bruce Taylor has put out an
Obscenity Prosecution Newsletter, Spring 2005, Vol. I, Issue 1. It's
on the criminal division page rather than the CEOS page. Some very interesting
and almost strange language formulated in the press release establishing
the task force. Compare and contrast closely what Gonzales said in Gaitlinburg
Tenn. on May 3 with the press release on May 5. Go back and look at
his speech to the Hoover Institute in March. (It's all on the DOJ home
page, Speeches of the AG). Compare all of that with the testimony at
Sen. Brownback's latest hearing and what Bruce Taylor is putting out.
The Persian Porn Mafia
By the term "mafia" here, I don't mean any criminal activity.
I mean "mafia" as in a group. There's Alec Helmy at XBiz, and
the sisters Moss (Bonnie and Holly,
internet consultants), and Joone of Digital Playground (DP's former
internet head Donna was Persian).
They all gathered at a GigaCash.com party Friday night at 8840 Beverly
Blvd. Who else in the biz is Persian?
Do Porn Fans Go Too Far?
Nina
Hartley's husband Ira Levine writes:
I've been following this
thread on ADT as well, and I've observed what Julia Ann is talking
about first hand, though I have to say (and Nina will corroborate this)
my SO never seems to have this kind of problem. Of course, she's
had many years to perfect the martial art of Fan-Fu and knows how to
subtly and sweetly take control of the physical contact with each fan
as he or she approaches.
What I think we're seeing is simply a product of porn's greater
reach in society at large. AEE gets more crowded every year and draws
a more diverse sampling of consumers. At one time, the comparatively
small number of fans who showed up for what was essentially an industry
trade show were more inclined to treat the far rarer species known as
porn stars with rather more awe, in part because of the intimidating
novelty of encountering such exotic women face to face. With porn performers
now everywhere from Howard Stern to People Magazine, there is a greater
degree of familiarity, and we know what familiarity breeds.
Sadly, I think what porn performers are discovering is something that
mainstream stars have known for years - if people see you often enough
they get to feeling like they own you and are entitled to relate to
you in a personal fashion. You appear in their living rooms with a certain
frequency and the audience begins to confuse you with the characters
you play. In short, in a celebrity-crazed culture where far too many
people want nothing more than to make some kind of contact with a real,
live famous person, boundaries have a way of blurring.
Also to be considered is the general decline in public manners that
makes life a misery for most celebs. A polite person would treat a stranger
in a public situation - even if the stranger's name and image is
familiar - with the respect due at any first encounter. Unfortunately,
polite people are something of an endangered species.
In short , I don't think what I've seen at AEE is porn-specific.
If you put that many mainstream players in a huge room full of tourists
who had been drinking at 24 hour bars and allowed those tourists to
get within touching distacne, I'm pretty sure you'd see a lot
of similar bad behavior.
I do not agree with Christian, much as I love the guy, on this subject.
I don't think the kind of porn we've been producing has created
some new, mutant strain of rude fan. I just think if you have more fans
you have a greater absolute number of assholes. I don't think the
percentages have really changed.
And Anthony, I most definitely do not agree with this:
"But considering that some porn women do indeed welcome or thrive
upon such intimate contact with their close fans, and that considering
the attraction of sexual pleasure that porn/erotica does indeed forment
as its basic instinct, is it not expected that some fans would take
the fantasy overboard and actually act on their instincts??? And how
fair is it to take good money from consumers of porn by promoting their
talent as slutty, sex-crazed women, then grumble and complain when they
act on those fantasies that they have about such women???"
Ahem - do we not know by now that porn is fantasy material meant to
be consumed in the privacy of one's home? Do we not know that the
real human beings who make it are not to be confused with the characters
they play? Are we somehow falling into the madonna-whore trap of believing
that because a woman acts "slutty" on camera she somehow loses
her claim to respect for the privacy of her person in a public situation?
Do we agree with those anti-porn type who maintain that exposure to
porn inspires anti-social conduct? Have we somehow come to expect that
performers "owe" it to fans to allow themselves to be groped
and mauled by strangers at will because, after all, what more can "loose
women" anticipate from the male beasts they've stirred up with
their wanton behavior in pictures?
That just doesn't sound like the kind of thinking I associate with
the Anthony I know. A porn performer is a human being first. Whatever
she does or does not do on camera should in no way affect the way she's
treated when out in the world. Rudeness is rudeness, no matter what
the object of that rudeness does or does not do for a living.
How fair is to take money from an audience for playing a character and
then grumble because that audience expects to find you in that character
whenever it encounters you in public? Unless the consumers are paying
the performer directly to play her character, I'd say it's perfectly
fair.
Years ago, Steve Martin did a biting SNL sketch about trying to order
in a restaurant from an obnoxious fan-boy waiter who kept trying to
do shtick with him all through dinner. I can't blame any performer
for sharing Martin's annoyance at such impertinence.
As to the AEE situation, what's needed is better security. The crowds
have gotten so huge at this point it's nearly impossible for the
girls, sitting exposed in front of booths, to manage them on their own.
I say, put a barrier between the performers and the crowd, allowing
the girls to step out for photo ops if they feel comfortable, and have
plenty of bouncers handy to toss the guys who can't keep their hands
to themselves. Some girls may like being mashed, but that shouldn't
put pressure on the ones who don't.
Sorry, but on this deal, I think the public needs to behave itself better
and that none of the blame lies with either the performers or the industry
itself. This is just another example of the pathology of celebrity culture.
Julia
Ann writes on ADT:
Most human cultures haven't the slightest notion what to do with sexuality
and I include my culture, the American culture in that statement. In
fact, the American way of life is riddled with guilt and shame when
it comes to sex and no one escapes that, not even myself. Unless you
were raised in a bubble, our society has shoved it's sexual propaganda
down your throat and in one way, or another it affects aspects of your
life.
KatjaKassin writes: "I might take whatever number of dicks in my
holes for a living but I still make the choice who I allow to touch me,
f--- me or call me names. Just because I do it with James Wellhung on
camera doesn't mean I wouldn't mind every other guy from the audience
doing it to me."
The owner of Black Widow Productions writes:
One of the reasons that girls are not allowed to flash is that some
of us provide alcohol to our customers from our booths and the convention
center does not have a cabaret liquor license. After my first AVN show
with Metro, I realized the problem some girls had with fans, and designed
my booth so that access was limited. This past year only one person
at a time could come into the booth for a picture with the girls and
there was always one of us guys watching the interaction.
Everyone's
Pretty By Lydia Millet
I'm reading this novel (published February 2005) set in and around LA's
porn industry.
I find it hard to get into. There are no quotation marks (is that a mark
of Modernism?). Instead, dialogue is indicated by the use of dashes, as
in:
-- How long do I have to read this book to decide I don't like it?
-- You were sent a review copy. It is your duty to finish it.
-- But are there going to be any nuggets in here to share with my readers?
A friend told me months ago that the protagonist (Dean Decetes, a porn
writer with messianic delusions) is a combination of me and Mike Albo,
but 50-pages in, I recognize nobody in this book.
Rodger Jacobs writes: "I didn't like it either. I received a review
copy a long time ago but I'm not sufficiently enthused enough to write
anything about it. I've been reading Walter Mosley's "Six Easy Pieces"
and a biography of Chester Himes by James Sallis."
Not only are there no quotes, there are no characters I care about.
At page 66, I give up.
Gregory Dark Update
He was born Gregory Hippolyte Brown. He was married to dominatrix and
porn star Ruby Richards
aka Star Chandler from January 1997 until their divorce in 2001.
In 2002, he married a professional civilan girl - Sharlotte
Blake, who works in the music industry.
In 2004, he shot a horror movie in Australia -- Goodnight
-- and is now in post-production on it. This is his biggest budget feature.
According to the plot
outline on Imdb.com: "A group of delinquents clean a hotel to
fill their community service. Unfortunatly for them they are not aware
a maniac is also in the hotel. He locks them in and begins to hunt them
down."
James Bourke writes: "Gregory Dark is actually being employed to
film a horror movie from the people behind WWE etc, interesting to note,
when you consider all the movies thus far from the wrestling supremo Vince
McMahon and starring mostly The Rock, have been geared towards the teenage
or family market. Besides all that i didn't really think making a movie
most likely to be distributed by a big major would have been Gregory Dark's
bag!"
Tom
writes:
I am sick and tired of EVERYONE knocking this movie just because the
main charicter is in the WWE. you think that just because he wrestles
that this movie will suck. i have news for you, most wrestlers are intelegent
people, and fairly decent actors. they have to be. also, just because
McMahon is producing (putting up the cash) for this film does NOT mean
that it will suck either. the same goes for the director. he did direct
porno, but he does have directorial experiance, and is trying to make
it in legitimate film. so in conclusion, all you people who think otherwise,
please, do us all a favor and SHUT YE OLDE PIE HOLE!
Nina Hartley - Dirty Girl?
Nina
writes on Nina.com:
I don't like ink for ink's sake, but I do enjoy a pretty tattoo. I
don't like it when women tattoo their breasts or belly, though, as those
will never age well! I do have that one tattoo on the base of my neck,
but it's easy to cover with hair. I didn't do mine to be trendy, though
it's in a trendy spot. It's just that the base of my neck was the only
spot to put this particular tattoo.
When I'm offcially fully retired from porn, I may just get myself a
'dirty girl" tattoo, which are the tattoos low down on the back, right
above the butt. Ernest would like it very much, and my fans won't get
all upset. Some of them are still mad about the boob job, and it's been
16 years! I still get letter lamenting the loss of my tan lines, too.
I've only seen one of Dark's movies, "New Wave Hookers," and I only
remember one scene, the DP with Ginger Lynn, Tommy Byron and some other
guy. It was very hot and sexy, and then it was completely ruined for
me with tin-ear editing. After Ginger's super-hot orgasm, there should
have been a cut to both guys coming. Instead, I had to endure several
minutes of more f---ing. The climax of the scene was over, why didn't
he just cut to the come, for goodness' sake? It was a real let down,
and turned me off to any of his other movies. I remember at the time
being a bit peeved that the Great New Director didn't use me, but I'm
glad now, as I see his vision is too grim for me.
I'm with Ernest, though, that porn can never be hip. No matter what
they may do between sex scenes, porn's raison d'etre is deadly serious,
at least for the viewers.
Ernest...went through his feature phase back in the early-mid '90's
and is over it now. His scenes start with usually no more than 4-6 lines
per person and then onto business. A simple set up is all that's needed.
As Henri Pachard used to say, "Give the audience 80% and make them contribute
20%. They like it that way." So, we set up the bare-bones scenario,
and let the viewers fill in the blanks where they need to.
Ernest Greene writes:
I've seen some of [Gregory] Dark's soft-core "features," though admittedly
not Animal Instincts, and I didn't like them much better than his soft
stuff. There's one with Ona Zee that's so bad, it borders on self-parody,
with dialogue like: "She always hated funerals, especially her own."
I mean, really.
I like Dark personally, and I think he has superb technical chops as
a filmmaker, but when it comes to dealing with human beings in human
situations, he doesn't seem up to the task.
I can certainly testify to Blake's virtuousity, having watched it in
action through six years as his AD (including on Sensual Exposures and
Femme Erotique). I've often joked with him about having met a gentleman
in a black suit at a crossroads in order to obtain his incredible facility
with a camera.
It's hard to imagine, looking at the smooth, sweeping shots in his
pictures that virtually all of them were shot on a hand-held, key-wound
Bolex that needed reloading every two and a half minutes. I'd see him
scrambling around the set with that thing, bouncing off the walls like
a monkey on Ritalin, and wonder how all those little snippets could
ever be edited into anything coherent. Of course, Blake edits his own
stuff, so he already has a place in mind for every clip before he shoots
it. I've never met a better organized director, in terms of getting
what he wants precisely, even when he's improvising and riffing.
Another important thing about Blake, pertinent to this discussion,
is that his work, however slick it may appear, is entirely a product
of his own fantasy life. He just happens to fantasize a world that looks
a lot like Helmut Newton's photographs. But his work is every bit as
personal as John Stagliano's. Blake shoots exactly what turns him on,
and nothing more. Like the best of us, he shoots the picture he would
want to watch.
As to his perceived state of hipness at any given time, he couldn't
care less, of course. He's very au courant on fashion, photography and
architecture, and some visual influences from media culture are allowed
in from time to time (he's borrowed from the Japanese photographer Araki
a bit and likes Roy Stuart in small doses) but in the end it's all about
Blake and his friend "Mr. Bolex."
Thus, for a number of years, he was quite voguish for his stylish approach
to the material and his shamelessly elitist pitch toward those who appreciate
good taste in their smut. However, his very sincerity has predictably
made him somewhat unfashionable among the Cahiers du Cinema porn crowd,
who are now all about shock effects and brutal literalism. Blake has
always tended to be deliberately oblique, which still sells in huge
numbers to his fans, but is considered too soft by the kinds of viewers
who consider themselve arbiters of what's cool in porn. Blake doesn't
care about MTV, hates hoky pseudo-goth affectations and basically continues
to shoot what turns him on.
In other words, he's the opposite of ironic. His style may be slick,
but he's by no means detached from this subject matter. If anything,
his recent work is more inward looking than any of what are considered
his most popular pictures. He's stripped his productions down to a few
girls he likes playing the games he enjoys in swank hotel rooms. He's
gotten a bit raunchier, thankfully, in terms of shooting all of the
girls' anatomy in detail, but hot women still rule his world and the
lack of BG scenes may bother some of his viewers, but he doesn't much
miss them.
I guess part of my definition of alterna-porn is an ambition to be
seen as avante-garde. Blake could never belong to that genre, because
he just can't be bothered to worry about how he's regarded by others.
..........
You can make art from many emotions, but not from none. There must
be feeling present that's palpable to the viewer. If we think about
all the art in history that has truly moved us, every single work was
intended from one heart to another. This is why some art from very long
ago still speaks to us today. Emotions are timeless. Modes of expression
change, but underlying feelings do not. The tragedy of oedipus, the
comedy of the Marx Brothers, the unbridled passion of Mozart, the innocent
enthusiasm of The Beatles - these things do not age. And style in the
right hands only facilitates the expression of emotion, as opposed to
obstructing it. Cole Porter is certainly a lovely example, but so is
Toulouse-Lautrec - stylish but never detached, the pathos of the world
he knew comes off of every painting. Even the abstract work of Jackson
Pollack is filled with emotion, an element absent from so many of his
drily academic imitators (see Tom Wolfe's The Painted Word for the best
explanation of what went wrong with Abstract Expressionism - in a word
- irony). Slickness will never compensate for a lack of feeling. We
look to art to connect with what is eternal in human experience. If
we don't find it, we move on, unsatisfied.
James DiGiorgio writes:
How intellectually important is it to intellectualize something that
is designed primarily as a masturbatory aid?
Havethere been examples of intelligent, artistic porn? I suppose. Should
porn even enter the realms of the artistic and the cerebral? the jury
(in my head) is out on that one. Have I ever attempted porn as art?
Yeah, I guess I have. Why? Probably more out of the sheer boredom (from
all the repetitive exercises in mediocrity that most porn companies
prefer from their directors) than anything else.
The true milestones in porn tended to be measured by a specific porn
flick's financial success. I think both Ernest and Jay [Grdina], as
examples of long-term practitioners of the porno arts, completely understand
that notion.
The only porn mogul who seemed to sometimes have any interest in porn
that transcended the ordinary was Russ. And Russ was one out of how
many porn moguls?
I sometimes think there's a bit of shame experienced by many porn consumers,
i.e., strokers, and when those consumers/strokers happen to also be
people who are art critics or journalists or others I'm neglecting to
mention, they sometimes feel compelled to intellectualize porn as art
to reduce the pangs of their shame.
I would say that the above theory might also apply to some pornographers.
Nina Hartley writes:
I don't doubt that some of the intellectualization of porn stems from
the inner conflict of some consumers. Our culture makes it difficult
for one to embrace fully, without shame, that which makes us hard/wet.
Yet, hard and wet we do get from seeing the things that are our thang.
The more we can accept that which gets us the most aroused, the less
we have issues with the existance of porn, since our arousal, and that
which facilittes its expression, doesn't invoke guilty feelings.
As Ernest has said before, quoting Bruce Seven, "Behind every good
porn movie is one guy's hard-on." So, if real feeling infuses the shots
of pussy and dick, then real feeling will flow out to the consumer who
is open to that feeling. I always knew that I had no influence over
any scene that I wasn't in, so I just set my goals to making my scenes
the most fun, honest and enthusiastic as I could make them. I went for
what turned me on, and did my best, via my performance, to transmit
that arousal to the viewers at home, since I couldn't be there in person
to f--- them. In my fantasies, I still f--- each of my fans personally.
I seem to have been on to something, as I've had fans now for twenty
years, and they still like what I do.
Some viewers are content to just see the particular body parts in motion.
I have fans who are just ass fans, or tan-line fans, or Big Baby Blue
Eyes fans. The surface appearence is enough for them and their needs.
Other fans are fans of my essence, as distilled through the lens of
commercial porn. The ones who are looking for feeling along with their
blowjob, see that I put feeling into mine and become fans of my work.
While sexuality can be, and has been, a worthy subject of capital "A"
art, porn's raison d'etre keeps it from being Art. The sexual imperitive
is not seen by our culture as a worthy, positive energy or force in
the world, so any blunt depictions of it will never get any respect
from intellecutals. Most people may like their art to be high, but they
prefer their porn to be low, since many people like the down 'n' dirty
feeling of wanking and orgasm. So, they don't need porn to be uplifting,
they like that it joins them in their sybriatic pleasures, encourages
them to be their bad selves, and extols the orgasm as a worthy effort.
People will always talk about porn, but will not influence it much.
The reason for porn is to inspire masturbation. Weird makeup and pig-nose
masks will never enhance that activity. Folks like to see good looking
people having hot sex, and that's not a bad thing.
Missy Monroe Update
She calls me Sunday afternoon. She has a new boyfriend. Met him on a
trip to Catalina a few weeks ago with Billy Glide's production company.
He works with Billy. She seems happy and drama-free. Her roommate of the
past two months is Kevin Korey.
Alterna-Porn
Debate
Skeeter Kerkove's kissin' cuzzin writes:
Bitter, bitter, bitter. Comfortable old sell-outs hate seeing the dim
reflection of their youths in the mirror & being reminded of the promise
they once held but subsequently squandered in pursuit of the chimera
of mass appeal. Glad to know that any true validation is REALLY all
about the gross numbers, Ira.
Would the fact that you've never produced anything that people remember
& still argue over -- such as NIGHT DREAMS, which with its satirical
dancing cereal boxes & straight-faced visions of hell was ANYTHING but
"slick & mainstream;" CAFE FLESH (actually the more conventional narrative
of the two films, & considered brilliant for its premonition of "erotic
entertainment" in a post-HIV society such as our own); the entire NEW
WAVE HOOKERS series, which like CAFE FLESH were certainly considered
viable enough franchises for VCA to have house hacks continue the lines
after the creators moved on; as well as crossover underground stuff
like Richard Kern & Beatty which is still in print & perennially available
at non-porn outlets including Tower & Virgin -- doesn't have a whit
to do with your passing off the efforts by the young & idealistic with
such airy smuggery as "There will always be Alterna-Porn, and by definition,
it will always be the kind that's defined by its very nature as a minority
taste. It's what it's alternative to that will always constitute the
working model for porn as the rest of us know it." In other words, "we
are one with the status quo; those who would rebel or react against
us are by definition lesser, because we are more in number."
Your use of the pronoun "us" is a pretty definitive marker of which
side of the line you affiliate with ...
On what is obviously a TOTALLY DIFFERENT topic, isn't it fascinating
as the news seems to prove day by day that the most floridly perverted
among our elected officials are generally the most conservative, hard-line
control freaks?
Ernest Greene aka Ira Levine
responds:
This slam might actually have found its target, had I ever been the
least bit interested in making pictures of the type described. In fact,
I'm hardly bitter over anyone's attempt to create what he or she considers
original and interesting porn. But I was always motivated to capture
images I considered beautiful and hot. When it came to making art-house
shows, I never had any promise to squander, as this writer suggests.
I'm not an experimental "film-maker" motivated by a desire to provoke
controversy. I like to turn people on.
And yes, porn is a commercial medium whose primary mission is to entertain.
Unlike mainstream movies, which can enjoy great respectablility without
moving very many tickets, porn that doesn't sell doesn't connect with
its audience and thus fails. That doesn't mean that all porn that sells
well is good, merely that porn that tanks at the store is unlikely to
be better for it.
People do indeed still remember many pictures I've made. I hear from
those people all the time. I agree that they don't argue over them,
as I never meant to make polemical artistic statements, only visually
attractive and exciting porn that viewers like to watch. I'll happily
accept the validation of twenty years of good numbers as evidence that
I can make the kind of show that turns me on and still appeal to a wider
audience. If that's selling out, I did it early on.
Moreover, I made it clear that I think Alterna-porn is not without
its charms, but that it will never draw like porn that fulfills its
primary mission to arouse and entertain. While I hardly call Maria Beatty's
work, which I admire and of which I've written favorably many a time,
a huge crossover, despite the fact that you can buy it at hip record
stores. Likewise with Kern, whose pictures I also very much enjoy. I
don't claim these movies have no market - merely a small one. I hope
they keep making them.
If I had to guess, I'd say Skeeter Kerkove's kissin' cuzzin is the
one who sounds bitter - and his style sounds familiar. Too bad if you
can't get funded for artsy projects nobody wants to see, but that's
not my fault. I've always made the videos I wanted to and I wouldn't
be "comfortable" if my particular approach didn't find resonance with
lots of others.
One thing you can count on in this business - if you do too well, there
will be plenty of hecklers out there to hate you for it.
I could say more about this, but I have to go wash the Jag.
Jenna Jameson's husband Jay
Grdina writes:
I had a few extra minutes this lovely Sunday morning and decided to
surf the gossip sites; yours was on that list. I was very interested
in Earnest Greene's (who is a friend of mine) article regarding "Alterna
Porn" and it's lack of market sustainability.
He referenced Café Flesh and New Wave Hookers, which 20 years forward
are still talked about and selling. In their day they were cutting edge
and had mainstream appeal; someone took a chance.
I have been in the industry since 1992 and have produced every style
of movie possible. I watched one company after another go out of business
because they got into the- produce as many s---ty "one day wonders"
as possible and over saturate the market.
My company, Club Jenna, producers a multiple variety of movies, even
though I am more sided towards edgy, hard style, new school movies.
I still have the philosophy against comedy movies (I have never laughed
so hard I came) but, I still produce a few just to appease that market.
Last year we won best film, The Masseuse (couples style shot on film),
and best video, Bella Loves Jenna (extreme "Alterna Porn"). The new
style of movies that are coming out are trying to emulate Bella Loves
Jenna.and why not? It won Best Video and is selling incredibly well.
I shoot, direct and edit my movies and consider our movies to be some
of the best in the industry, setting a new bar for quality. I feel we
have the sales and the accolades to support that comment.
As with any business, you have to evolve and adapt to the market place
in order not to become a dinosaur and extinct. I sadly watch all my
older director friends going broke because they refuse to adapt. This
makes them bitter and angry at the changes in adult. Listen, we all
complain about how adult has changed and not for the better, but sharpen
your skills throw out the tissues and develop a new style that ensures
revenues.
I believe life is about constant learning; the day you stop learning
the end is inevitably drawing near. What I did in my last movies I will
better in the next and so on. I support anyone in this industry that
tries!, whether I agree with what you do or not if you are putting you
heart into it .PROPS.
I do not agree with making light of people putting forth an effort
to put out good product and I don't think Mr. Greene should either.
He is a very talented writer and director and definitely deserves his
accolades for his success.
Ira Levine responds:
I've worked with Jay and Jenna over the years and I consider both enormously
talented. In fact, their success tends to prove rather than invalidate
my point, which is that audiences connect with sexy pictures, which
both excel at making.
Furthermore, I never meant my observations to be interpretted as a
diatribe against all attempts to break out of stale genre conventions
in porn. I've done plenty of that myself, having pretty much single-handedly
demolished those conventions regarding BDSM videos as they existed when
I came in here. I also think my pictures have continued to evolve over
the years and that my work of today is substantially different from
what it was ten years ago. However, it's core intent has no more changed
than that of Andrew Blake, John Stagliano, John Leslie or other directors
whose work I celebrate. We're still out to turn people on. We just look
for new ways of doing it.
I dislike cookie-cutter, by-the-numbers porn as much as anybody could,
after sitting through so much of it over the years, and admire those
directors who find ways of bringing fresh ideas to the medium.
But that's not really what I'm talking about. It's one thing to work
some changes on viewer expectations with a smart, edgy picture like
Bella Loves Jenna, which most certainly doesn't qualify as alterna-porn
by my definition. BLJ is just a great picture with a modern style. It's
quite another matter to make an ego-driven project that resembles a
film-school demo reel and completely lacks sexual heat. This is hardly
a charge that could ever be leveled against any of Jay and Jenna's work.
Jay is a very inventive and accomplished picture-maker, but he still
gives the audience plenty of turn-on content. And I think he'd agree
that we owe those who come to our pictures for that kind of content
the respect of not mocking their primary motivations. My particular
beef is with cultish, pretentious material that its openly contemptuous
of porn's principle mission objective.
I never intended to make light of those attempting to put out good
product, though I hardly consider making light of any form of popular
entertainment much of a sin. I merely pointed out, from long observation,
that self-conscious art-porn that isn't arousing to watch and works
too hard at trying to be hip and cool is likely to be rejected by the
larger porn market.
Jay and I are both products of the school of experience. I'd expect
him to raise a skeptical eyebrow at self-styled "auteurs" who try to
disguise their inability to shoot a hot scene with all kinds of pseudo-intellectual
posturing, just as I do. Jay has the resources to shoot anything he
wants, and though he pushes the stylistic envelope most capably, he
never forgets why we're here. I believe as much could be said of Andrew
Blake, John Leslie and all the other pioneers who have helped expand
the creative horizons of the form. They did what they did without leaving
the audience behind.
No offense intended in any of this. Surprised to find it taken. For
the record, I am not bitter, angry or anywhere near broke. Check out
the sales charts, my friends. I have two of the biggest selling lines
in this business. What have I got to cry over?
Hot Newbie: Sunny Lane
TSCFan317
writes on ADT:
I instantly thought Sunny was cute, but not quite in a "I have to see
everything she's in now" kind of way like with Karina Kay or Taryn Thomas.
However, the more I looked at her modeling pictures and the more upcoming
releases and boxcovers she landed in or on the more infatuated I became.
She reminds me of a weird combination of Lysa Thatcher and Cherry Mirage
with a little bit of Vanilla Sky. That spells out to that "everyday
girl" appeal as opposed to the "she should be a supermodel" kind of
thing (if that sounds backhanded, I really don't mean it to). Now she
has been cast in James Avalon's first RLD feature and the press release
stated she used to be a professional ice skater.
The type of girl, like Kinzie Kenner, that you want to take home to
meet the parents on the Holidays and then have crazy sex with in your
old bedroom.
Kinzie Kenner, Taryn Thomas, Faith, Karina Kay, and now Sunny Lane.
Just when I think I'm out, they pull me back in.
Wicked's Sydney Steele Only Does Girl-Girl
Heidi Pike-Johnson
writes:
"One day, I had finished a movie and it was awesome and I had had a
good time and I just felt really weird being with my partner. The next
day, I was scheduled to do another scene and all I could think was,
'I don't think I can do it.' I have actually fallen very, very much
in love and I don't know if I should be saying that in this business
but it's true. I have never experienced this kind of feeling before
and I didn't feel like sharing myself. My guy didn't have anything to
do with it...I don't think I can take a dick properly the way that I
used to, on camera," Steele said of her choice and hell, I can't blame
her. Steele's face was all light when she talked about the guy, a non-industry
civilian that she's keeping anonymous.
ADT
thread.
XTV Box
Confucy writes:
Have you tried the XTV box? I am getting ready to try it, and it seems
like there is lots of controversy surrounding the ownership of the company.
I think it will make a significant difference in the way many view porn,
but $29.95 seems a little high to pay each month. The promoters of the
box seem very vague about the titles of the videos they are offering.
Perhaps you can interview them and get the information they are not
giving
us on the boards.
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